CENTER OF CLASSICAL AND TRADITIONAL ARCHITECTURE
CENTER OF CLASSICAL AND TRADITIONAL ARCHITECTURE
Presentation of projects for the development of pilgrimage and tourism areas in Pechory and Vybuty, Pskov Region, developed by the Center for Classical and Traditional Architecture, at the Ministry of Culture of the Russian Federation
Meeting between the Director of the Center, A.M. Kapustin, and the Minister of Construction and Housing and Communal Services of the Russian Federation, I.E. Fayzullin, and the President of the Russian Academy of Architecture and Construction Sciences, D.O. Shvidkovsky, Rector of the Moscow Architectural Institute
Meeting with His Holiness Patriarch Kirill on the construction of a cathedral in Murmansk
Presentation of the project for the graphic reconstruction of the Chudov and Voznesensky Monasteries in the Moscow Kremlin to Russian President Vladimir Putin
ARCHITECTURAL PROJECTS IN BUDDHIST TRADITIONS
CONCEPTUAL DESIGN OF THE BUDDHIST SPIRITUAL AND EDUCATIONAL CENTER
The Buddhist Spiritual and Educational Center, created as part of the Interfaith Spiritual, Cultural, and Educational Center in Moscow, is intended to become a space for spiritual development, cultural exchange, and interfaith dialogue. Its architectural concept is based on the symbolism of the lotus — one of the key images in Buddhist philosophy, embodying purity, enlightenment, and spiritual rebirth.
The main volume of the building is formed by a multi-tiered composition with expressive curved roofs clad in green copper. The plasticity of the rooflines creates a dynamic structure reminiscent of the unfolding petals of a flower. The central part of the building is crowned with a multi-level tower featuring a traditional tented roof and a golden spire, emphasizing its upward aspiration toward the higher.
Symmetrical side wings are connected to the main building by a shared platform. The ornament of the paved surface highlights the principle of order and spatial harmony.
The Center includes meditation and prayer halls, educational classrooms for lectures and seminars on the philosophy, history, and culture of Buddhism, exhibition spaces, as well as multifunctional rooms for interfaith meetings, conferences, and cultural events.
The Buddhist Center is seamlessly integrated into the ensemble of the interfaith complex, creating a space of dialogue and cooperation. The architectural image of the building embodies the ideas of spiritual elevation, inner harmony, and intercultural interaction. The implementation of the project will create in Moscow a significant cultural and spiritual landmark that will serve as a hub of educational activity and the strengthening of interfaith harmony.
PROJECT PROPOSAL FOR A BUDDHOTEL IN ARCHITECTURAL TRADITIONS
The “Buddhotel” project is conceived as a modern hotel complex of three stars and above, designed in the traditional Buddhist style. The core concept of the project is the harmonious combination of national cultural features, a spiritual atmosphere, and all the requirements of contemporary hospitality services.
The complex will feature comfortable four-star-level rooms, ranging from 50 to 100 guest accommodations depending on the region and chosen location. For the convenience of visitors, parking areas will be provided, as well as landscaped park zones for walking and meditation, designed in accordance with Buddhist aesthetics.
Special attention is given to recreation and wellness areas: the hotel structure will include a restaurant offering both traditional and modern cuisine, a spa complex, meeting rooms and multifunctional halls for events, as well as dedicated spaces for spiritual practices and private retreat.
All facilities are executed in the spirit of traditional Buddhist architecture while fully complying with modern standards of comfort, safety, and logistics.
A key factor in selecting project locations is their placement along pilgrimage routes and sites of extended pilgrim stays, allowing the hotel complexes to be seamlessly integrated into the spiritual and tourist infrastructure of the regions, while providing comfortable conditions for travelers.
DEVELOPMENT OF SKYSCRAPERS IN CONTEMPORARY ARCHITECTURAL TRADITIONS
The project of Buddhist skyscrapers is intended to merge advanced high-rise construction technologies with spiritual symbolism and cultural tradition. The architectural concept is based on the image of upward aspiration — as an embodiment of spiritual growth and the overcoming of earthly limitations.
The towers are shaped as multi-tiered compositions with smooth façade lines resembling vertically unfolding lotus petals. Their finishes combine glass and metal with elements inspired by Buddhist aesthetics: ornamental patterns, copper details, and accentuated golden inserts. By evening, the skyscrapers become luminous architectural landmarks, reflecting light across the city skyline.
The functional program includes hotel rooms, residential apartments, spaces for work and leisure, as well as halls for spiritual practices and cultural events. At the base of each complex are public areas with gardens and meditation pavilions, seamlessly integrated into the urban environment.
The project introduces a new model of harmonious coexistence between the modern metropolis and spiritual traditions, shaping a symbol of the future in which architecture becomes a medium of cultural dialogue and inner elevation.